50th Blog!

This month celebrates our 50th blog post and in honor of this anniversary we will be revisiting our top three most-popular blogs. To see which blogs made the cut, please follow the links below.

To date, our most popular blog, reaching almost 7,000 people on Facebook with over 30 post shares, was our March 2019 post: Music to Our Ears Mouths: A Jaw Harp Found in Fredericksburg. This blog focused on an artifact that was recovered from the Riverfront Park project focusing on the utility of x-radiography as a tool for identifying highly corroded artifacts. The jaw harp was found within the interior of the brick duplex once located at the corner of Hanover and Sophia streets.

Coming in second was our January 2019 post: Coming Unglued: The Importance of Reversibility in Artifact Conservation. This blog highlighted a poorly mended, mid-nineteenth century whiteware basin with a flow blue Scinde pattern. The object was brought to the Dovetail lab by a Stafford County resident. The vessel was repaired by a family member using an unknown adhesive which was then painted black. At the request of the owner, the archaeology lab at Dovetail not only removed the non-archival adhesive used to mend the basin but also repaired the object using archivally-stable materials.

Lastly, our third most popular entry was our February 2019 blog: When Building Fragments Come Together: Foundations at the Fredericksburg Riverfront Park. This blog was the first of several that focused on the results of our January/February 2019 data recovery at the Riverfront Park. We thought we would set the scene for upcoming installments by discussing the buildings that once dotted the landscape and noting the importance of architectural studies on historic sites.

It’s easy to see that local history wins when it comes to popularity as top three blogs are quite similar! If you have a favorite blog that did not make the top three, send us your feedback!

 

Any distributions of blog content, including text or images, should reference this blog in full citation. Data contained herein is the property of Dovetail Cultural Resource Group and its affiliates.

Dovetail Needs Your Help!

By Kerry Gonzalez

Continuing our blog series on artifacts recovered from our Riverfront Park excavations in Fredericksburg, we would like to highlight the wine bottle seal pictured below. Marking wine bottles with personalized seals were done near the end of the bottle making process. While the fully formed wine bottle was still warm the glassblower would affix a ‘glob’ of glass to the bottle and emboss it with a seal. We are asking for your help in dating this particular artifact. We know the seal recovered at the Riverfront Park site is from a bottle of Chateau Lafite that dates between 1810 and 1850. We also believe the “B&G” in relief in the center of the seal represents Barton and Guestier, a wine house in Bordeaux, France that at one time unsuccessfully attempted to acquire Lafite.   

Wine seals marked with Chateau Lafite have been found at several estates in the United States, including Monticello, the home of Thomas Jefferson. Jefferson’s desires to aquire Chateau Lafite wines were so enthusiastic that he wrote a letter to the president of bordeaux parlement, M. Pichard, on February 22, 1788, requesting 250 bottles (Hailman 2006:148).

“While passing through Bordeaux of May last year, I have the honor of appearing at your house to pay my respects and to thank you for all the kindness you showed to Mr. Barclay, our Consul (in Paris) in the unpleasant affair that happened to him in Bordeaux. In hastening to renew my thanks, I take the liberty of adding therto the request of a favor. The excellent wines named de la Fite are of your vineyard. If you have any of the 1784 vintage, and would accomadte me with 250 bottles, I would be infinitely obliged to you. If it would be possible to have them bottled and packed at your estate, it would doubtless be a guarantee that the wine was genuine, and the drawing off and so forth well done”

Now you know as much as we do about this artifact, and we hope some of you wine lovers out there have thoughts as to a specific time period for this interesting piece.  Please contact us through Facebook with any comments or suggestions!

References:

Hailman, John

2006    Thomas Jefferson on Wine. University Press of Mississippi, Jackson.

Any distributions of blog content, including text or images, should reference this blog in full citation. Data contained herein is the property of Dovetail Cultural Resource Group and its affiliates.

Jaw Harp Found in Fredericksburg

Music To Our Ears Mouths: A Jaw Harp Found in Fredericksburg

By: Kerry Gonzalez

This month’s blog will continue our series on Dovetail’s recent excavations at the Riverfront Park in Fredericksburg, Virginia where over 10,000 artifacts were recovered. Many of these artifacts were personal items, one of which is the focus of this blog. Recovered from an area where a late-eighteenth-century brick duplex once stood at the corner of Hanover and Sophia Streets, this jaw harp speaks to the leisurely activities that took place at the site during the early-nineteenth century.

The iron alloy jaw harp, or “Jew’s harp” as they are often referred to, was identified after a series of x-ray images were taken on over 1,500 metal artifacts recovered during the project (Photo 1). X-ray is often used by archaeologists to help identify severely corroded pieces recovered during a dig. Prior to the x-ray, the team was unable to decipher the use of this iron object.

Photo 1: Top: Highly Corroded Jaw Harp. Bottom: X-ray image of jaw harp confirming identification.

This type of musical instrument is a fairly common find on archaeological sites, with the earliest discovery from Inner Mongolia dating to the eighth and fifth centuries B.C. (Elizabeth Morgan 2008). A 1,700-year-old jaw harp was also recovered from the Altai Mountains in Russia (National Geographic 2018). The Russian mouth harp had a distinctive three-tined shape unlike the more ubiquitous bow-shaped jaw harps seen today (Photo 2). While the shape of the jaw harp may have changed, the manner in which it was played varied little.

By placing the frame against their front teeth and flicking the spring, players can create a distinctive twanging sound. Different notes can be played by altering the shape of the player’s mouth. (Mackinac State Historic Parks 2018).

Photo 2: Image of Intact Jaw Harps (Worthpoint 2019).

In a thesis published on this very topic, Deirdre Anne Elizabeth Morgan (2008) asserts that the mouth harp plays an important and interesting role in courtship and procreation especially in southeastern Asia. It is suggested that the shape of the mouth-played instrument has symbology related to procreation and it may “possess an innately erotic character” (Bakx 1998). It is further suggested that because this instrument is solely played with the mouth it provides a focal point for suitors trying to lure a mate through both their mouth and their musical prowess (Elizabeth Morgan 2008).

Finding musical instruments on sites helps archaeologists understand the vernacular lifestyle of occupants and illustrates how music often helped provide a mental break from their day-to-day activities and create a comforting sense of place.

 

References:

Bakx, Phons

1998    The Jew’s harp and the Hindu God Shiva: Into the Symbolism of Procreation. The Thoughts’ Dispeller Booklet Series 1. Stichting/Foundation Antropodium, Middleburg.

Elizabeth Morgan, Deirdre Anne

2006    Organs and Bodies: The Jew’s Harp and the Anthropology of Musical Instruments. Electronic document, https://facultystaff.richmond.edu/~amcgraw/gamelan/ubc_
2008_fall_morgan_deirdre-libre.pdf, accessed March 2019.

Mackinac State Historic Parks

2018    Jaw Harps. Electronic document, https://www.mackinacparks.com/jaw-harps/, accessed March 2019.

National Geographic

2018    1,700-Year-Old Musical Instrument Found, and It Still Works. Electronic document, https://news.nationalgeographic.com/2018/01/ancient-musical-instrum
ent-mouth-jaw-harp-siberia-russia-spd/, accessed March 2019.

 

Any distributions of blog content, including text or images, should reference this blog in full citation. Data contained herein is the property of Dovetail Cultural Resource Group and its affiliates.

When Building Fragments Come Together: Foundations at the Fredericksburg Riverfront Park

By Kerri Barile

One of the most exciting finds on an archaeological site are the remains of a building or structure—evidence of people modifying their natural world to create a controlled space. Whether it is a dwelling, store, barn, or other building, the activity of using tools to create construction materials and combining these fragments to craft shelter is one of the hallmarks of humanity. During the Riverfront Park data recovery in Fredericksburg, Virginia, Dovetail Cultural Resource Group found not one but five foundations, each a unique symbol of the city’s evolution (Photo 1). The archaeological work was done at the request of the City of Fredericksburg prior to park development. This blog is the first of several that will focus on the results of our January/February 2019 data recovery at the Riverfront Park. We thought we would set the scene for upcoming installments by discussing the buildings that once dotted the landscape. Future blogs will take the next step and describe the thousands of artifacts once used by area inhabitants and recovered during this incredible dig.

Photo 1: Adriana Moss Excavates a Brick Foundation at the Riverfront Park.

The first European settlement on the Fredericksburg riverfront occurred early in the community’s history. Even before the town had a formal street system, dwellings were being erected along the riverbanks. One of the earliest was a home that we now call the Rowe-Goolrick House, located at the southern end of the proposed park. Built in the mid-eighteenth century, this two-story, three-bay home did not face today’s street grid but rather the original town ferry lane, which ceased use shortly after the home was constructed. The foundation of the house was fashioned of local Aquia sandstone, forming a basement and support system for the frame structure above. The home was demolished in 1973 to make way for a parking lot. During the Riverfront data recovery, Dovetail uncovered the northeast corner of the foundation, still in pristine condition (Photo 2). Possible original support posts were even found in place in the basement fill. Dendrochronology (tree ring dating) is being done on these supports to date these incredible building fragments.

Photo 2: The Rowe-Goolrick House in 1933 (left) (Library of Congress 1933) and the Home’s Stone Foundation (right), Found under a Parking Lot.

On the opposite side of the park, in the northern segment near Hanover Street, the team uncovered not one but two incredible foundations. Each featured handmade brick with sand temper made in wooden molds; the foundations were fastened with mud mortar. In the northwest corner was the foundation of a one-story, four-bay brick duplex at 717–719 Sophia Street built around 1780. Interestingly, this home had a central chimney that serviced both sides of the double dwelling—a feature usually seen in New England (Photo 3). In the northeast corner was the brick foundation of the circa 1832 Ferneyhough ice house, a public ice facility. This feature measured over 30 feet in length, dug into a subsoil of very dense clay (so dense that the backhoe could not penetrate the soils) (Photo 4). Excavation of this clay with hand tools to adequately lay the deep foundation would have been incredibly challenging!

Photo 3: Brick Duplex at 717–719 Sophia Street in 1927 (left) (Library of Congress 1927) and the Building’s Foundation and Central Chimney Base Uncovered During the Dig (right).

Photo 4: The West Wall of the Ferneyhough Ice House Discovered 4 Feet Below Ground.

In the middle of the park, archaeologists found the brick foundation of a postbellum home once located at 713 Sophia Street and an antebellum duplex that once stood at 701–703 Sophia Street (Photo 5). Both of these buildings had a timber-frame structural system sitting on brick, stone, and wooden pier foundations. Each was in use for only 50 to 75 years before they were demolished, reflecting the transitory nature of life along the river where repeated flooding and changing transportation needs rendered an ever-changing landscape. All of the buildings found in the park area were someone’s home, someone’s work, someone’s life. When joined, these fragments come together to tell the story of so many who once walked in our footsteps and dwelled at our doors.

Photo 5: The Fredericksburg Riverfront Park Around 1920. From left to right: brick duplex at 717–719 Sophia Street; home at 713 Sophia Street; Home at 705 Sophia Street (not excavated during current fieldwork); and wood duplex at 701–703 Sophia Street (Shibley 1976:137).

 

References:

Library of Congress

1927    Cabin, Water Street, Fredericksburg, Virginia. Frances Benjamin Johnson Collection. Library of Congress Prints and Photographs Division, http://www.loc.gov/pictures/item/2008675923/, accessed July 2013.

1933    House, 607 Sophia Street, Fredericksburg, Fredericksburg, Virginia. Historic American Building Survey. Library of Congress Prints and Photographs Division, http://www.loc.gov/pictures/item/va0925.photos.165656p/, accessed July 2013.

Shibley, Ronald E.

1976    Historic Fredericksburg: A Pictorial History. The Donning Company/Publishers, Inc., Norfolk, Virginia.

 

Any distributions of blog content, including text or images, should reference this blog in full citation. Data contained herein is the property of Dovetail Cultural Resource Group and its affiliates.

Coming Unglued: The Importance of Reversibility in Artifact Conservation

By Reagan Andersen

In this month’s blog, we are highlighting a whiteware basin with a flow blue Scinde pattern from the mid-nineteenth century. The object was brought to the Dovetail lab by a curious owner from Stafford County.  The vessel had once been broken into several large pieces that someone had attempted to glue back together (Photo 1). With permission from the owner, the archaeology lab at Dovetail conserved the bowl in a more appropriate and safe manner. Through a step-by-step analysis, this blog will discuss the conservation methods utilized to preserve the bowl’s integrity.

Photo 1: The Basin Before Conservation Efforts Began. Notice the giant glob of glue put in place of a missing sherd!

The first step was to remove the adhesive that had been used to refit the bowl when it originally broke. In order to do this, we had to first determine what type of glue was used and how, or if, it could be removed. With its black color, we believed the adhesive to be JB Weld—a high-temperature epoxy adhesive that is not removable. In order to get a clearer answer, we took the bowl to the Virginia Department of Historic Resources (DHR) in Richmond and with the help of Katherine Ridgway, a conservator at DHR, we received great news. It was not JB Weld, but just a normal, removable, adhesive that had been painted over with either black paint or sharpie in an attempt to blend in with the dark blue pattern.  We quickly got to work removing the black paint and as much of the glue as possible with just cotton balls and acetone. However, the adhesive was not budging. The next step was to put the bowl into an acetone chamber, where the bowl is placed in a bag or container along with acetone-filled jars so that the acetone vapors can break down the adhesive and allow for separation (Photo 2). After a few weeks of being in the acetone chamber, the pieces had finally fallen apart and it was time to start removing the leftover residue and begin re-mending. In order to remove the excess residue we soaked the sherds in acetone and then used scalpels to peel the adhesive off of the fragments.

Photo 2: The Basin After Removal of Adhesive, But Before Acetone Chamber.

To re-mend the basin, we used Paraloid B-72: a clear, thermoplastic resin that is commonly used in conservation and restoration. It is more flexible than most other adhesives and, most importantly, it is dissolvable in acetone! It is highly important that whatever was done to the basin must be reversible; this is true with all conservation and restoration work. In the lab at Dovetail, we regularly use B-72 for labeling artifacts and mending ceramics or glass.

After several months of work, the bowl was finally finished (Photo 3). We hope to continue restoration by filling in the damaged, colorless areas with compatible paint colors. So, next time you break your grandmother’s favorite dinner plate, ask an archaeologist to repair it for you!

Photo 3: The Finished Basin.

 

 

Any distributions of blog content, including text or images, should reference this blog in full citation. Data contained herein is the property of Dovetail Cultural Resource Group and its affiliates.

Frog Legs: The Other White Meat

A Wrought Iron Frog Gig Recovered in Randolph County, North Carolina

By Kerry S. González

People have been consuming frog legs for centuries. In 2013 National Geographicreported that 10,000-year-old cooked frog bones were found in England , long before the French were first documented as eating frog legs (Zuckerman 2013). According to cookbooks from the eighteenth century frog legs were part of haute cuisine in France, while in England the idea of eating frog legs “filled the British with disgust” (Zuckerman 2013). In the Americas, frog legs were an easily obtainable source of protein, provided you lived near a water source. Any source of protein was important, especially during hard times. But how do you catch frogs for consuption? Keep reading if you would like to know more. If frogs make you squeemish maybe stop reading here.

Frogs were captured using a tool known as a “gig.” The frog gig shown below was recovered from the Trogdon-Squirrel Creek site in Randolph County, North Carolina. Dovetail Cultural Resource Group conducted data recovery excavations at the site on behalf of the North Carolina Department of Transportation (NCDOT). Work was guided by the data recovery plan authored by NCDOT (Overton 2014).

The wrought iron frog gig appears to have been modified or hastily made as evidenced through an x-ray image. The gig was heat joined likely as a repair after one of the original three tines broke (pictured below). Heat joining, or forge welding, simply refers to heating two pieces of metal and joining them to create a solid bond. Frog gigs and eel gigs often have this trident shape and were used to pierce the skin of a frog or eel for capture. Frog gigging typically occurs at night when the creatures are most active but can certainly be done during the day.

Photo 1: Wrought Iron Frog Gig Recovered From Trogdon-Squirrel Creek Site. On left is an x-ray image of the frog gig and original is on right.

 

Photo 2: Wrought Iron Frog Gig From Personal Collection of D. Brad Hatch Showing Possible Original Form.

This form of gigging, also used at times to capture fish, has been used for centuries. A watercolor painting titled The Manner of Their Fishingdone by Captain John White in 1585 illustrates Native Americans using spears and traps to catch fish (White 1585) (Figure1). While the spears used in the Mid-Atlantic during White’s time were made of a combination of bone, wood, and stone, the gig-construction method varied over the course of time. As illustrated in Hooks, Rings & Other Things (1988:155–156), there were many styles of spears which varied in shape depending on time period and purpose. The multi-pronged form, such as that found at the Trogdon Squirrel Creek site, was one of the most popular.

Next time you are at a restaurant and you are trying to decide between chicken or the steak, look to see if they offer frog legs, ‘the other white meat.’

Figure 1: The Manner of Their Fishing (White 1585).

 

Figure 2: Various Styles of Frog, Fish, and Eel Spears From the Nineteenth Century (Barnes 1988).

 

 

Any distributions of blog content, including text or images, should reference this blog in full citation. Data contained herein is the property of Dovetail Cultural Resource Group and its affiliates.

References:

Barnes, Frank T.
1988   Hooks, Rings & Other Things. The Christopher Publishing House, Hanover, Massachusetts.

Overton, Brian
2015  Request for Proposal: Intensive Archaeological Survey and Evaluation, Asheboro U.S. 64 Bypass. North Carolina Department of Transportation, Human Environment Section, Raleigh, North Carolina.

White, John
1585   The Manner of Their Fishing. Electronic document, http://www.britishmuseum.org/research/collection_online/collection_object_details/collection_image_gallery.aspxassetId=22109001&objectId=753504&partId=1, accessed October 2018.

Zuckerman, Catherine
2013   Frog Legs: A British Innovation? Electronic document, https://news.nationalgeographic.com/news/2013/11/131107-frog-legs-england-france-food-archaeology-britain-wiltshire-french-english-british/, accessed October 2018.

A Brush with a Hog

A Brush with a Hog: Cleaning Your Teeth in the Nineteenth Century

By Kerry Gonzalez

In 2018, archaeologists from the Maryland Department of Transportation State Highway Administration (MDOT SHA), Applied Archaeology and History Associates, Inc., and Dovetail Cultural Resource Group worked on four sites along Frederick Road (MD 144) in Howard County, Maryland. The survey is part of a stewardship initiative by MDOT SHA to explore the history and development of the MD 144 corridor, known historically as the Baltimore and Frederick-Town Turnpike and the National Road. As part of this work, Dovetail will be processing the field and artifact data, as well as producing a final report on four sites. While the archival research and data analysis is ongoing, the site appears to be a mid nineteenth century dwelling that may have served as a store.

This month’s blog highlights a bone toothbrush recovered from the Poplar Springs excavations (Photo 1 and Photo 2). Mid- to late nineteenth century examples like this one, once contained animal hair bristles held in place by copper alloy wiring (Photo 2). While hog bristles were the preferred hair for toothbrushes, horse and badger hair were also used at various times (Pittman 2018).

Bone Toothbrush Fragment image

Photo 1: Bone Toothbrush Fragment Recovered From Excavations at Poplar Springs Site.

Close up of toothbrush - Image

Photo 2: Image Taken with Microscope Showing Intact Bristles and Copper Wire.

Mid-to-Late 19th Century Bone Toothbrush - Image

Photo 3: Mid-to Late-Nineteenth Century Bone Toothbrush Recovered From Clagett’s Brewery (18BC38) in Maryland (JefPat 2018).

 

The first bristled toothbrush was invented during the Tang Dynasty (AD 619–907) in China (Library of Congress 2013). While the bone or bamboo toothbrush with hog bristles was used throughout China during and after the Tang Dynasty, it was some time before this invention reached Europe. Prior to this, Europeans would clean their teeth (if they chose to do so) with a rag or chew stick (Samford 2002). It was not until 1780 that William Addis reportedly invented what we know today as the toothbrush. The legend says:

Addis became involved in a dispute that got out of control, and was thrown into Newgate prison, charged with starting a riot. Languishing in a dark and dank jail cell, Addis had time on his hands, and a foul-tasting mouth. The story has it that he spied a broom in a corner of a room, and was struck with inspiration. Retrieving a bone from the jail cell floor, he somehow drilled holes into it and obtained bristles from a sympathetic jailer. [Museum of Everyday Life n.d.]

Toothbrushes were being mass-produced across Europe by the 1840s, and by 1857 the first U.S. patent was filed by H.N. Wadsworth. This patent outlines how the new and improved angle of the bristles “keeps the gums healthy and vigorous” among other things (Samford 2002). However, while toothbrushes likely cleaned better than the previously used rag or stick, the bristles often broke off leaving sharp ends that punctured the fragile gum tissue and thus led to nasty oral infections. Animal hair continued to be used in toothbrushes until 1938 when the first toothbrush with nylon bristles was presented to the market (Pittman 2018). The bristles on this new and improved toothbrush were still very coarse and it was not until the 1950s that softer bristles were introduced.  So, while you are brushing your teeth tonight, be thankful that the toothbrush was invented and that you are not using a chew stick or rag to clean your teeth.

 

 

Any distributions of blog content, including text or images, should reference this blog in full citation. Data contained herein is the property of Dovetail Cultural Resource Group and its affiliates.

References:

Museum of Everyday Life
n.d.      Prison, Suicide, & the Cold-Climate Hog. Electronic document, http://museumofeverydaylife.org/exhibitions-collections/previous-exhibitions/toothbrush-from-twig-to-bristle-in-all-its-expedient-beauty/a-visual-history-of-the-toothbrush. Accessed August 2018.

Library of Congress
2013    “Who Invented the Toothbrush and When Was it Invented?” Everyday Mysteries:  Fun Science Facts from the Library of Congress.  Website accessed February 23, 2017 at http://www.loc.gov/rr/scitech/mysteries/tooth.html.

Pittman, Bill
2018    Thomas Jefferson’s Toothbrush. Electronic document, http://www.history.org/history/teaching/enewsletter/may03/iotm.cfm. Accessed August 2018.

Samford, Patricia
2002    Bone Handled Toothbrushes. Electronic document, https://www.jefpat.org/diagnostic/SmallFinds/Toothbrushes/index-BoneHandledToothbrushes.html, accessed August 2018.

Turning and Burning

Turning and Burning: Locally Made Pottery from the Trogdon-Squirrel Creek Assemblage

By D. Brad Hatch

July continues our series of posts highlighting the artifacts recovered from the Trogdon-Squirrel Creek site (31Rd1426/1426**) in Randolph County, North Carolina. Dovetail Cultural Resource Group conducted data recovery excavations at this site on behalf of the North Carolina Department of Transportation (NCDOT), guided by the data recovery plan authored by NCDOT (Overton 2014). Of the over 8,000 ceramic sherds recovered from the Trogdon-Squirrel Creek site, nearly half (3,826) were made in North Carolina. These locally produced wares underscore the importance of the ceramic industry to the economy of piedmont North Carolina and the reliance of residents on locally manufactured goods. This blog post focuses on some of the wares whose makers can be identified in order to illustrate the number of potters in the region and how far people would go to buy their goods. For a more detailed treatment of these ceramics click here.

Marked, or otherwise identifiable, wares from at least six different potters were identified in the collection gathered from the site (Table; Photos 1–7). Dates of production for these potters, when they were not known from historical references, were estimated by adding 20 years to their birth date and extending the span to the date of their death. While the production span for some of these wares may be slightly shorter or longer, they are probably not exceedingly different. The majority of these potters began production prior to 1850. However, most had a production range that extended through the latter half of the nineteenth century. Notably, all of these potters had kilns in Randolph County during at least some portion of their career. Jacob Craven had at least three kilns during his lifetime, one of which was in Randolph County, while the remaining two were located just south of the county line in Moore County. All of the kilns used by these potters during their periods of production were located within 14 miles (22.5 km) of the Trogdon-Squirrel Creek site and half were within 10 miles (16.1 km) (Figure).

PotterKiln LocationDate of Production
Jacob D. CravenRandolph and Moore Counties, NCca. 1847-1895
Enoch S. CravenRandolph County, NCca. 1830-1893
William N. CravenRandolph County, NC1842-1857
Nathan B. DicksRandolph County, NCca. 1875-1918
Alfred L. MoodyRandolph County, NCca. 1880-1924
Chester WebsterRandolph County, NCca. 1840-1882
Table: Identified Potters Represented in the Trogdon-Squirrel Creek Assemblage.

A brief glimpse of this extraordinary grouping of locally made ceramics from the Trogdon-Squirrel Creek site provides important insight into the development of the ceramic industry in Randolph County from approximately 1840 to the early-twentieth century, a period when the potting tradition in this region was flourishing. It also suggests that local residents were paramount in supporting these artisans throughout history, allowing potters and their families to put down roots and prosper in the region. As a result, many of the descendants of the potters identified in this assemblage still produce ceramic wares in the area and pottery production remains an important aspect of the economy in the North Carolina piedmont.

Photo 1: Locally Made Coarse Earthenware Jar Fragment with Sine Wave Decoration, Attributed to Nathan Dicks.

Photo 1: Locally Made Coarse Earthenware Jar Fragment with Sine Wave Decoration, Attributed to Nathan Dicks.

Photo 2: Locally Made Earthenware Chamber Pot with N.B. Dicks Mark.

Photo 2: Locally Made Earthenware Chamber Pot with N.B. Dicks Mark.

 

 

 

 

 

 

 

Photo 3: Locally Made Stoneware Jug with W.N. Craven Mark.

Photo 3: Locally Made Stoneware Jug with W.N. Craven Mark.

Photo 4: Locally Made Stoneware Pot with E.S. Craven Mark.

Photo 4: Locally Made Stoneware Pot with E.S. Craven Mark.

 

 

 

 

 

 

 

 

Photo 5: Locally Made Stoneware Jug or Pitcher with J.D. Craven and Capacity Mark.

Photo 5: Locally Made Stoneware Jug or Pitcher with J.D. Craven and Capacity Mark.

Photo 6: Locally Made Stoneware Vessel with A.L. Moody Mark.

Photo 6: Locally Made Stoneware Vessel with A.L. Moody Mark.

 

 

 

 

 

 

 

 

 

Photo 7: Locally Made Stoneware Jug with Bird Decoration Attributed to Chester Webster.

Photo 7: Locally Made Stoneware Jug with Bird Decoration Attributed to Chester Webster.

 

Figure: Map Showing Location of Kilns for Identified Potters in Relation to the Trogdon-Squirrel Creek Site.

Figure: Map Showing Location of Kilns for Identified Potters in Relation to the Trogdon-Squirrel Creek Site.

 

Any distributions of blog content, including text or images, should reference this blog in full citation. Data contained herein is the property of Dovetail Cultural Resource Group and its affiliates.

References:

Overton, Brian
2014    Archaeological Data Recovery Plan: Site 31Rd1426, Randolph County, North Carolina. North Carolina Department of Transportation Human Environment Section, Raleigh, North Carolina.

Check out Jefferson Patterson Park’s Diagnostic Artifacts webpage for more images of stonewares recovered from the Trogdon-Squirrel Creek Site.

Discussions with local North Carolina potters, scholars, and collectors of North Carolina pottery were instrumental in the identification of the locally produced wares from the Trogdon-Squirrel Creek site. Specifically, I would like to express my gratitude to Hal Pugh and Eleanor Minnock-Pugh of New Salem Pottery, Mary Farrell of Westmoore Pottery, and Tommy Cranford. 

Medicine in a Glass

Featured Fragment – Mexican Mustang Liniment for Man and Beast: Patent Medicines at the Squirrel Creek Site

By Michelle C. Salvato

This month we are once again returning to our series highlighting the artifacts recovered from the Trogdon-Squirrel Creek site (31Rd1426/1426**) in Randolph County, North Carolina. Dovetail Cultural Resource Group conducted data recovery excavations at this site on behalf of the North Carolina Department of Transportation (NCDOT), guided by the data recovery plan authored by NCDOT (Overton 2014). Nearly 2,000 glass artifacts were recovered from the Trogdon-Squirrel Creek site with approximately 5 percent of the recovered glass shards definitively determined to be medicine bottles. At least 10 different medicines were definitively identified during the analysis of the site.

Diagnostic Patent Medicine Bottles Recovered from 31Rd1426/1426** (Meyer 2011; Odyssey Marine Exploration, Inc. 2017). 
Manufacturing CompanyPatent Medicine NameDate Range
Abraham B. Sands & CompanySands' Sarsaparilla1835-1875
Andrew's Manufacturing CompanyPortion of Bottle Not RecoveredUnidentified
Dr. David Jayne’s “Family Medicines”Dr. D Jayne's Vermifuge TonicMid-1830s – 1906*
Fleming Brothers CompanyDr. Mclane's American Worm Specific1844-1906*
H.E. Bucklen & CompanyDr. King’s New Discovery (Sample Bottle)1878-1906*
H.E. Bucklen & CompanyDr. King’s New Discovery for Consumption1878-1906*
The Herb Medicine CompanyLightning Hot DropsUnidentified
Lyon Manufacturing CompanyMexican Mustang Liniment1850s-1906*
National Remedy CompanyPortion of Bottle Not RecoveredUnidentified
UnidentifiedRamons Nerve & Bone LinimentUnidentified
*Date reflects passage of the Pure Food and Drug Act of 1906 when end date was not identified

Archaeologically, patent medicine bottles include an incredibly diverse assortment of styles, colors, and sizes, and their content include a wide variety of concoctions. From bitters and tonics to sarsaparillas, a vast range of home remedies were available to the population for personal use. Remedies were often strengthened using ingredients such as morphine, cocaine, or opium but then sold to the public to cure anything from colic in infants to venereal diseases to “female complaints” (Hagley Museum and Library n.d.). Many of the bottle fragments found at the Trogdon-Squirrel Creek site contained large enough portions of embossed lettering to identify which patent medicine it contained, thus helping to more accurately date the site.

Dr. King’s Discovery Patent Medicine Sample Bottle Recovered From Site 31Rd1426/1426**.

Dr. King’s Discovery Patent Medicine Sample Bottle Recovered From Site 31Rd1426/1426**.

Almost Complete “Ramon’s Nerve and Bone Liniment” Patent Medicine Bottle Recovered From Site 31Rd1426/1426**.

Almost Complete “Ramon’s Nerve and Bone Liniment” Patent Medicine Bottle Recovered From Site 31Rd1426/1426**.

Two of the recovered bottle fragments are sample- and full-size “Dr. King’s New Discovery” medicine bottles. This medicine, nationally recognized by the mid-1880s, was marketed as a cure for consumption, known today as tuberculosis (Meyer 2011). A circa-1907 ad even claims that the remedy is “the greatest life saver of all time” (Griffin 2013). Like so many other patent medicines of the time, “Dr. King’s New Discovery” contained questionable ingredients by today’s medical standards. A 1905 article by Samuel Hopkins Adams in Colliers Magazine warns, “As it is a morphine and chloroform mixture, ‘Dr. King’s New discovery for Consumption’ is well calculated to strike terror to the doctors or to any other class or profession, except, perhaps, the undertakers” (Meyer 2011).

A circa-1907 Dr. King’s New Discovery Ad Claiming the “Life-Saving” Properties of the Remedy (Griffin 2013).

A circa-1907 Dr. King’s New Discovery Ad Claiming the “Life-Saving” Properties of the Remedy (Griffin 2013).

A fragment of a “Mexican Mustang Liniment” bottle was also recovered from the site. Also dating to the latter half of the nineteenth century, this medication serves as yet another example of the supposed versatility of these patent medicines. Not only did they claim to cure almost any human ailment, one particular ad advertises that the medicine was to be used on animals and humans alike! Another late-nineteenth-century ad for “Mexican Mustang Liniment” shows an oversized bottle of the medicine as well as a small bottle in a young girl’s hand. Ads like these are incredibly helpful to archaeologists as they often note the ingredients and uses of the bottle while also containing an image of the bottle itself.

A circa-1880s Ad For “Mexican Mustang Liniment” Produced By The Lyon Manufacturing Company Shows That The Medicine Can Cure Both Horses And Humans (Meyer 2012).

A circa-1880s Ad For “Mexican Mustang Liniment” Produced By The Lyon Manufacturing Company Shows That The Medicine Can Cure Both Horses And Humans (Meyer 2012).

A Circa-1880s Ad For “Mexican Mustang Liniment” That Rather Helpfully Shows A Full Size Bottle Of The Medicine. Surrounding the bottle are a young girl and a number of adorable animals all presumably taking the “safe” medicine (Meyer 2012).

A Circa-1880s Ad For “Mexican Mustang Liniment” That Rather Helpfully Shows A Full Size Bottle Of The Medicine. Surrounding the bottle are a young girl and a number of adorable animals all presumably taking the “safe” medicine (Meyer 2012).

Patent medicines very quickly fell out of favor with the public following the passage of the Pure Food and Drug Act in 1906 which required the listing of remedies’ contents. It is no wonder that the inhabitants of the Trogdon-Squirrel Creek site had so many different kinds of patent medicine bottles leading up to this act though; most medicines did not work to actually cure any disease but just masked the symptoms with a bad combination of drugs and alcohol. Luckily for us we do not have to take concoctions of morphine and chloroform (and who knows what else!) in order to cure common ailments today.

 

Any distributions of blog content, including text or images, should reference this blog in full citation. Data contained herein is the property of Dovetail Cultural Resource Group and its affiliates.

References:

Griffin, Jessica D.
2013    Dr. King’s New Discovery for Coughs and Colds, H. E. Bucklen & Co., Chicago, ILL.  WordPress.com.  Electronic document, https://oldmainartifacts.wordpress.com/, accessed May 2017.

Hagley Museum and Library
n.d.      History of Patent Medicine. Electronic document, https://www.hagley.org/research/digital-exhibits/history-patent-medicine , accessed June 2018.

Meyer, Ferdinand, V
2011    Peachridge Glass Website. Electronic document, http://www.peachridgeglass.com/, accessed May 2017.

Meyer, Ferdinand, V
2012    Peachridge Glass Website. Electronic document, http://www.peachridgeglass.com/, accessed June 2018.

Odyssey Marine Exploration, Inc.
2017    Odyssey’s Virtual Museum Website. Electronic document, http://odysseysvirtualmuseum.com/, accessed May 2017.

Overton, Brian
2014    Archaeological Data Recovery Plan: Site 31Rd1426, Randolph County, North Carolina. North Carolina Department of Transportation Human Environment Section, Raleigh, North Carolina.

A Not So Perfect Match

Featured Fragment – Nineteenth-Century Table Settings

By D. Brad Hatch, Ph.D. and Kerry S. González

This month’s blog continues our series highlighting the artifacts recovered from the Trogdon-Squirrel Creek site in Randolph County, North Carolina. On behalf of the North Carolina Department of Transportation (NCDOT), Dovetail Cultural Resource Group conducted data recovery excavations at the site, guided by the data recovery plan authored by NCDOT (Overton 2014).

The grouping of artifacts highlighted in Photo 1 were chosen to reflect ceramic consumption patterns at the site. While analyzing and processing the assemblage Dovetail staff decided to do a mock-up of a nineteenth-century table setting, mostly with artifacts recovered from the site. [Note: The kerosene lamp is a reproduction however several pieces of glass from the chimney of a similar lamp were recovered at the Trogdon-Squirrel Creek site.] The photograph below was taken in the basement of Belle Grove Plantation, birthplace of President James Madison, which provided a historically accurate setting for our recreation.

Photo 1: Nineteenth-Century Table Setting Recreated with Artifacts Recovered from the Trogdon-Squirrel Creek Site. Note blue-edged plates.

 

The primary purpose of staging this photograph was to highlight that matched sets in a table setting, like we have today, were not always the norm. What we learned from analyzing the collection was that the inhabitants of the Trogdon-Squirrel Creek site appear to have chosen decorated refined earthenwares from various decorative categories (transfer printed, hand painted, and dipt/edged wares) (Photo 2). The assemblage illustrated that there was a stronger preference for the less-expensive decorative types (edged wares) which was mixed with a lower density of more expensive ceramics that were transfer printed.

Perhaps the most important factor influencing ceramic use at the site was socioeconomic status. Based on historical and archaeological evidence, the inhabitants of the Trogdon-Squirrel Creek site appear to have been lower-middling to middling in terms of their status. In a general sense, the known status of the site occupants appears to correlate well with their respective decorative ceramic assemblages.

Photo 2: Sample of Various Decorative Motifs Recovered From Trogdon-Squirrel Creek Site. From left: brown transfer print, hand painted, and dipt.

 

The fact that many of the transfer printed vessels from the Trogdon-Squirrel Creek site were mismatched underscores the economic constraints of the site inhabitants, since they were unable to make the large capital outlays necessary to purchase full sets of these costly wares. While the majority of the transfer printed ware in the assemblage were decorated with blue ink, suggesting at least an attempt to match the color palette, there were also black, red, and brown printed vessels. Residents at the Trogdon-Squirrel Creek site do appear to have possessed matching, or at least almost matched, place settings of blue-edged wares. These cheaper wares would have been less of a financial burden, but still would have allowed the site occupants to display their knowledge of fashionable dining practices.

Keep this in mind the next time you are out shopping for new dishes. Perhaps you don’t need to worry about everything matching and instead just keep with a similar color palette. In fact, there are several articles available online that give a step by step guide on how to mismatch your tables wares which suggest picking a color or playing with different shapes.

 

Any distributions of blog content, including text or images, should reference this blog in full citation. Data contained herein is the property of Dovetail Cultural Resource Group and its affiliates.

References: 

Overton, Brian
2014    Archaeological Data Recovery Plan: Site 31Rd1426, Randolph County, North Carolina. North Carolina Department of Transportation Human Environment Section, Raleigh, North Carolina.